Enough Said is a film that will be released in the wake of tragic circumstances – the death of James Gandolfini – and as a result, it may not always get judged by its merits alone, which is a shame, because it’s great and is more than capable of standing on its own two feet.
It tells the story of Eva and Albert (Julia Louis-Dreyfus and James Gandolfini), both middle-aged and divorced, who meet at a party, and in the wake of saying neither is attracted to anyone there, begin a tentative relationship, with both of them slightly surprised at the type of person that they’re with. From the off it’s clear that Louis-Dreyfus and Gandolfini have superb chemistry (and Gandolfini proves to be an accomplished comic actor), and simply watching them meet and awkwardly make small talk is a joy in itself. While at the party, Eva also meets Marianne who, she later discovers, is Albert’s ex-wife. This dynamic is what propels most of the drama in the film, but the problem is, it’s not as interesting as it could be and occasionally feels like a distraction from the best part of the film; the relationship between Eva and Albert.
From their first date onwards – and with the help of an excellent script – there is not a single moment that rings false, all of the humour feels genuine; both things that are said, and the awkward pauses in the conversations, and none of the drama is forced. The dramatic aspects of the film, particularly the turmoil on Eva and Albert’s relationship after he discovers Eva’s friendship with his ex-wife, are among its best moments, and seeing Louis-Dreyfus perform something more serious than comic is a rare pleasure.
Enough Said isn’t exactly groundbreaking however, it follows a similar structure to most romantic comedies, as well as a sub-plot about Eva’s daughter going to college, but fortunately it never feels like its retreading old ground, its excellent execution of standard ideas mean it always feels like a breath of fresh air. Its helped by a strong supporting cast, including Toni Collette as a friend of Eva’s (even if her accent does jump around a bit) and Ben Falcone as Collette’s husband, who steals scenes constantly and provides some of the film’s biggest laughs. It also never feels empty, no plots or characters are wasted and, even if it’s telling us things we already know about second chances and people moving on in their lives, watching these characters in particular navigate it is what makes it so good.
Refreshing, witty, and with moments of understated and effective drama, Enough Said may be forever marred by tragedy, but should instead be a reminder to the singular talent of James Gandolfini. It’s a damn great film, and I can only hope the circumstances surrounding its release won’t change that.